![]() What is your budget? It is a popular misconception that we only work with big names and big budgets. What will the room sound like? This is critical, of course, but some times more critical than others! As a mastering engineer, it is probably the most important issue, but if you don’t produce a final product, it may be less of a priority If a new, revolutionary piece of equipment comes along, you don’t want your studio to tell you you can’t take advantage of it What hardware and software do you use now, and how might that change in the future? We always try to build in some redundancy and expandability. This is often a combination of effective wiring systems and intelligent furniture and joinery design ![]() How do you work? What do you need to be able to access and when? How do you spend most of your time? We need to understand the ergonomics of your workflow so that we can ensure everything is just where you want it and that nothing is impeding your workflow. Very high levels of sound insulation are also expensive, so a pragmatic approach is often required What are the sound insulation requirements? Do you need to keep sound in or out? What sound are you producing? What noises surround you? How important is total silence? Sometimes it is assumed that every studio needs to be perfectly isolated from its surroundings, whereas actually this is rare. The rooms we work with are creative spaces, so form has an important place alongside function. ![]() The design of a room is essential, not just to the acoustic performance of the room itself, but to the effective workflow of those that are using the facility.
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